P.Priime: The Beat Architect Redefining Afrobeats

In the vibrant core of Lagos, where Afrobeats pulses through the streets like a second heartbeat, one name emerges as the unseen hand behind many of the genre’s biggest hits. At just 23, P.Priime — born Peace Emmanuel Aderogba Oredope — has evolved from a church kid drumming on a set of sticks into a production juggernaut whose beats have propelled stars such as Wizkid, Asake, and Burna Boy onto the world stage.

Picture a sound that fuses the infectious swing of Afrobeats with smooth R&B textures and pop hooks — that’s P.Priime’s hallmark. His journey isn’t solely about music; it’s a story of raw talent, relentless effort, and a gift for turning simple ideas into chart‑topping gold.

From Church Drums to Studio Dreams

Imagine a four‑year‑old boy in Lagos’s bustling suburbs on March 28, 2002, when Peace Oredope first felt the call of rhythm. Born into a family of choristers — his father a church singer and drummer in the Boys’ Brigade band — music was not a choice; it was the air he breathed. At four, his older brother handed him drumsticks, sparking a passion that would shape his life. By eight, he was mastering the piano, soon after picking up the saxophone and guitar, showcasing a versatility that hinted at the multi‑instrumentalist he would become.

Growing up in Ejigbo, P.Priime attended Nuga Paul High School, graduating at the astonishing age of 14 in 2016. He later enrolled in the Musical Society of Nigeria Centre’s summer school, refining his craft alongside like‑minded peers. By 15, curiosity led him into music production software, where he began experimenting endlessly — blending gospel roots from his upbringing with the emerging wave of Afrobeats. This foundation, nostalgic yet forward‑looking, set the stage for the sonic innovator he is today.

Mentorship and Breakthrough

The real leap came when he joined Sarz Academy, the brainchild of legendary producer Sarz, where he honed both technical skills and the business side of music. By 17, he was already catching the attention of industry insiders.

In 2019, his first major break arrived with DJ Cuppy’s “Gelato” featuring Zlatan. That same year, more opportunities unfolded, and soon his beats were in the hands of Afrobeats royalty. The watershed moment came in 2020 with Olamide’s Carpe Diem, where P.Priime co‑produced seven of the ten tracks — including smash hits Infinity with Omah Lay and Loading with Bad Boy Timz. These were not merely hits; they were cultural soundtracks, catapulting him into Afrobeats’ elite producer tier before his 19th birthday.

The Sound of a Generation

What sets P.Priime apart? Range. One moment, he’s crafting high‑energy, street‑ready bangers; the next, he’s weaving soulful, minimalistic arrangements. His production style blends Afrocentric percussion with global influences — trap snares, R&B lushness, pop‑friendly hooks — giving him a versatility few producers can claim.

From Reekado Banks’ club anthem Ozumba Mbadiwe, to Fireboy DML’s Champion and Airplane Mode, to Asa’s introspective V album, P.Priime proves he can adapt while always leaving a distinctive sonic fingerprint.

Hollywood Lights: The Wakanda Forever Moment

If his early years were about conquering Nigeria, 2022 pushed him onto the global stage. Working alongside composer Ludwig Göransson on the Black Panther: Wakanda Forever soundtrack, P.Priime produced three standout tracks: Burna Boy’s haunting Alone, CKay and PinkPantheress’ Anya Mmiri, and Fireboy DML’s Coming Back for You.

Alone not only became a UK Afrobeats #1 but also cemented his place as a producer capable of blending Afrobeats’ soul with Hollywood’s cinematic grandeur. At just 20, he was shaping the sound of Wakanda, proving his music could cross cultures effortlessly.

Dominating the Charts: The 2024–2025 Run

By 2024, P.Priime was unstoppable. He helmed multiple tracks on Asake’s Lungu Boy — from the introspective Skating to the Wizkid‑assisted MMS — and produced much of Rema’s HEIS, delivering fan favorites like March Am, Azaman, and Villain. He also produced Rema’s 2025 smash hit “is it a crime”

His magic also graced Wizkid’s Morayo (Soji, Bad Girl, Slow), Tyla’s sultry Back 2 You, and collabs like Davido & Pheelz’s “Electricity” and Omah Lay x Tyla’s “One Call.”

Social media erupted with fans calling his 2024 run “unmatched,” while his signature “P!” producer tag became a seal of quality across playlists. By mid‑2025, new hits like Asake & Tiakola’s Badman Gangster and Wizkid & Tyla’s Dynamite had fans hailing him as the producer of the moment.

Awards, Accolades, and Vision

Success has not gone unnoticed. P.Priime has accumulated Producer of the Year titles at the AVA Awards (2020), AFRIMMA (2021), The Beatz Awards (2021), Headies (2022), and Trace Awards (2025). He was also part of YouTube’s Black Voices Songwriter/Producer Class of 2022, and his work has earned Grammy nominations through Wizkid’s Made in Lagos (Deluxe), Asake’s projects, and Rema’s HEIS.

But he’s more than a producer. He DJs, engineers, writes, and even dabbles in fashion — walking the runway for Elfreda Kahlo at Lagos Fashion Week 2021. Today, he also scouts talent, mentoring the next generation as a judge on MTN’s Next Afrobeats Star and in Who’s Next in Afrobeats.

The Road Ahead

At only 23, P.Priime has achieved what many dream of in a lifetime. Yet he insists the journey has only just begun. His mantra? Originality over imitation. In his own words: “Talent alone won’t take you global, but the right platform will give it wings.”

From humble church drums to Hollywood blockbusters, from Lagos streets to global stages, P.Priime isn’t just making beats — he’s producing moments, shaping Afrobeats into a sound the whole world dances to.

And if the past few years are any indication, the next global anthem is already simmering on his